"Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VII. Candenza III" by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe was released on March 3, 2014. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 14 in Distant Light - Renaud Capuçon plays Bach & Vasks by Renaud Capuçon, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VII. Candenza III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": VII. Candenza III by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
String Quartet No. 3: IV. Moderato - Allegro - Andante - Moderato | Pēteris Vasks, Navarra Quartet | G Major | 3 | 9B | 135 BPM | ||
Violin Concerto “Distant light” (1996/7): Mosso | Pēteris Vasks, Maja Bogdanovic, Daniel Rowland, Stift Festival Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 | Carl Orff, Karl Peinkofer Percussion Ensemble | C Major | 0 | 8B | 100 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Morpheus | Rebecca Clarke, Philip Dukes, Sophia Rahman | E♭ Major | 0 | 5B | 64 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM |
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