Orchestra des Concerts Lamoureux, Igor Markevitch, Clara Haskil made "Concerto No. 3, In C Minor , Op. 37 : III. Rondo. Allegro" available on March 19, 2019. Concerto No. 3, In C Minor , Op. 37 : III. Rondo. Allegro appears to be safe for all ages as it is not explicit. The song is number 3 out of 6 in Beethoven : Piano Concerto No. 3 - Schumann : Piano Concerto In A Minor by Orchestra des Concerts Lamoureux, Igor Markevitch, Clara Haskil. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concerto No. 3, In C Minor , Op. 37 : III. Rondo. Allegro is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto No. 3, In C Minor , Op. 37 : III. Rondo. Allegro by Orchestra des Concerts Lamoureux, Igor Markevitch, Clara Haskil is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: I. Allegro con fuoco | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Major | 1 | 8B | 74 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | A♭ Major | 0 | 4B | 112 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Symphonic Etudes, Op. 13: Thema. Andante | Robert Schumann, Murray Perahia | C Major | 3 | 8B | 77 BPM | ||
Impromptu No.2 in F sharp, Op.36 | Frédéric Chopin, Claudio Arrau | F♯ Major | 0 | 2B | 67 BPM | ||
La vestale: Ouverture | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 107 BPM | ||
Children's Album, Op. 39, TH 141: 3. Mama | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | B♭ Major | 1 | 6B | 135 BPM | ||
Variation 3: Sempre sostenuto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Major | 1 | 7B | 121 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | E Minor | 2 | 9A | 90 BPM |
Section: 0.6121644973754883
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