"9 Lieder und Gesänge, Op. 32: No. 1, Wie rafft ich mich auf in der Nacht" by Johannes Brahms, Hélène Grimaud, Konstantin Krimmel was released on September 8, 2023. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 20 in For Clara: Works by Schumann & Brahms by Hélène Grimaud, Robert Schumann, Konstantin Krimmel, Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 9 Lieder und Gesänge, Op. 32: No. 1, Wie rafft ich mich auf in der Nacht's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 9 Lieder und Gesänge, Op. 32: No. 1, Wie rafft ich mich auf in der Nacht by Johannes Brahms, Hélène Grimaud, Konstantin Krimmel is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Jonas Kaufmann, Helmut Deutsch | F♯ Minor | 1 | 11A | 173 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
3 Lieder, Op.12: 2. Liebst du um Schonheit | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 78 BPM | ||
Liebesliederwalzer, Op. 52: XI. Nein, es ist nicht auszukommen | Johannes Brahms, Georg Friedrich Daumer, Marlis Petersen, Camillo Radicke, Konrad Jarnot, Stella Doufexis, Werner Güra, Christoph Berner | A♭ Major | 1 | 4B | 140 BPM | ||
Drei Lieder aus "Wilhelm Tell" S.292: 1. Der Fischerknabe | Franz Liszt, Dietrich Fischer-Dieskau, Daniel Barenboim | A♭ Major | 0 | 4B | 60 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 4. Wie des Abends schöne Röte | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Karl Engel, Wolfgang Sawallisch | F Major | 0 | 7B | 125 BPM | ||
Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Nash Ensemble | D Minor | 2 | 7A | 80 BPM |
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