"3 Lieder, Op.12: 2. Liebst du um Schonheit" by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy was released on January 1, 1997. The duration of 3 Lieder, Op.12: 2. Liebst du um Schonheit is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. 3 Lieder, Op.12: 2. Liebst du um Schonheit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Robert & Clara Schumann Lieder - Frauenliebe und -Leben". In this album, this song's track order is #6. 3 Lieder, Op.12: 2. Liebst du um Schonheit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Lieder, Op.12: 2. Liebst du um Schonheit by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM | ||
Adieux de l'hôtesse arabe | Georges Bizet, Cecilia Bartoli, Myung-Whun Chung | A Minor | 1 | 8A | 145 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Horn Trio In E Flat, Op.40: 3. Adagio mesto | Johannes Brahms, Barry Tuckwell, Itzhak Perlman, Vladimir Ashkenazy | B Major | 0 | 1B | 70 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Elgar: Sea Pictures, Op. 37: IV. Where Corals Lie, "The deeps have music" (Allegretto ma non troppo) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | B Minor | 1 | 10A | 66 BPM | ||
Semele HWV 58 / Act 2: Where'er you walk | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | G Major | 0 | 9B | 108 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Schubert: Ganymed, Op. 19 No. 3, D. 544 | Franz Schubert, Barbara Bonney | B♭ Major | 1 | 6B | 72 BPM | ||
Fauré: 2 Mélodies, Op. 4: No. 2, Lydia | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM |
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