"Etudes: 4. Pour le style fugue" by Frank Martin, Orchestre de la Suisse Romande, Ernest Ansermet was released on July 6, 2018. Etudes: 4. Pour le style fugue is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Frank Martin, Ernest Ansermet, Orchestre de la Suisse Romande's "Martin: Orchestral Works" album is number 8 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Etudes: 4. Pour le style fugue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Etudes: 4. Pour le style fugue by Frank Martin, Orchestre de la Suisse Romande, Ernest Ansermet to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Unser Vater in dem Himmel | Gottfried August Homilius, Kammerchor Stuttgart, Frieder Bernius | C Minor | 1 | 5A | 76 BPM | ||
Concerto pour sept instruments à vent, timbales, batterie et orchestre à cordes (1949): II Adagietto. Misterioso ed elegante | Frank Martin, Chamber Orchestra of Europe, Thierry Fischer | C Major | 0 | 8B | 105 BPM | ||
Coelos ascendit hodie | Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross | A Major | 4 | 11B | 71 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
4 Pieces breves: IV. Comme une gigue | Frank Martin, Michalis Kontaxakis | F Major | 1 | 7B | 94 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Pocket Poetry No. 2 "Hijo": III. Dolor y Recuerdos | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | A♭ Minor | 1 | 1A | 144 BPM | ||
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM |
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