"Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): V. Mummenschanz" by Erich Wolfgang Korngold, Patrick Savage, Martin Cousin was released on April 5, 2024. The duration of Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): V. Mummenschanz is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): V. Mummenschanz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Golden Age of Hollywood". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): V. Mummenschanz is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): V. Mummenschanz by Erich Wolfgang Korngold, Patrick Savage, Martin Cousin having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Orchestra in D Major, Op.35: II. Romance: Andante | Canada’s National Arts Centre Orchestra, Alexander Shelley, James Ehnes, Erich Wolfgang Korngold | F Major | 2 | 7B | 127 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano) | Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane | C Major | 1 | 8B | 98 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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