- BPM
- 86
- Key
- F♯ Major
- Camelot
- 2B
Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus) - Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic Orchestra, Gerd Albrecht Information
- Acousticness
- 92%
- Danceability
- 12%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 72%
- Loudness
- 53%
- Speechiness
- 8%
- Valence
- 7%
- Popularity
- 0%
- Loudness
- -27.989 dB
Summary
"Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus)" by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic Orchestra, Gerd Albrecht was released on July 1, 2016. With this song being about 5 minutes long, at 5:15, "Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus)" by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic Orchestra, Gerd Albrecht is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 32 in Dvořák: Armida by Antonín Dvořák, Gerd Albrecht. Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus) BPM
The tempo marking of Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus) by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic Orchestra, Gerd Albrecht is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Armida, Op. 115, B. 206, Act IV: Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus) Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | |
 | 6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | D♭ Minor | 0 | 12A | 67 BPM | |
 | Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | |
 | String Quintet in A Minor, Op. 1, B. 7: II. Lento | Antonín Dvořák, Ladislav Kyselák, Vlach Quartet Prague | A Minor | 1 | 8A | 82 BPM | |
 | 8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. for violin and piano) | Anonymous, Antonín Dvořák, Takako Nishizaki, Terence Dennis | D Major | 1 | 10B | 105 BPM | |
 | Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6471335887908936
End: 0.6516754627227783