Richard Strauss, Norbert Hauptmann, Berliner Philharmoniker, Herbert von Karajan made "Horn Concerto No. 2 in E-Flat Major, TrV 283: III. Rondo. Allegro molto" available on January 1, 1998. With this song being about 5 minutes long, at 5:16, "Horn Concerto No. 2 in E-Flat Major, TrV 283: III. Rondo. Allegro molto" by Richard Strauss, Norbert Hauptmann, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Strauss, R.: Don Quixote; Horn Concerto No.2". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. In terms of popularity, Horn Concerto No. 2 in E-Flat Major, TrV 283: III. Rondo. Allegro molto is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Horn Concerto No. 2 in E-Flat Major, TrV 283: III. Rondo. Allegro molto by Richard Strauss, Norbert Hauptmann, Berliner Philharmoniker, Herbert von Karajan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228 / Prologue: "Sein wir wieder gut" - "Musik ist eine heilige Kunst" - Live | Richard Strauss, Irmgard Seefried, Paul Schöffler, Vienna State Opera Orchestra, Karl Böhm | C Major | 2 | 8B | 95 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Elektra: Xii. Was sagen sie ihr denn? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | B Major | 3 | 1B | 136 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM |
Section: 0.7273857593536377
End: 0.7330689430236816