"Concerto for Bassoon and Orchestra in E-Sharp Major: III. Allegro ma non troppo" by Johann Christian Bach, Camerata Rhenania, Hanspeter Gmür, Richard Urech was released on January 1, 2009. With this song being about 5 minutes long, at 4:45, "Concerto for Bassoon and Orchestra in E-Sharp Major: III. Allegro ma non troppo" by Johann Christian Bach, Camerata Rhenania, Hanspeter Gmür, Richard Urech is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 12 in Bassoon Concertos by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Concerto for Bassoon and Orchestra in E-Sharp Major: III. Allegro ma non troppo is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Bassoon and Orchestra in E-Sharp Major: III. Allegro ma non troppo by Johann Christian Bach, Camerata Rhenania, Hanspeter Gmür, Richard Urech is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Quartet in D Major, Op. 8, W.B 52: I. Andante. Rondo Allegro | Johann Christian Bach, Justin Taylor, Les Ombres, Margaux Blanchard, Sylvain Sartre, Théotime Langlois de Swarte | G Major | 2 | 9B | 168 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Lieder ohne Worte, Op.19: No. 4 In A (Moderato), MWV U 73 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 134 BPM | ||
Amadis de Gaule, W. G39: Act III Scene VI: Aria: Eitle Angst und nichtige Sorge! (Arcalaus) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E♭ Major | 3 | 5B | 86 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM |
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