Jacques Offenbach, Orchestre National de Lille, Darrell Ang's 'Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra)' came out on November 10, 2017. Since Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Offenbach: Overtures". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) by Jacques Offenbach, Orchestre National de Lille, Darrell Ang having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Swan Lake, Op. 20, Act III, No. 22: Neapolitan Dance | Pyotr Ilyich Tchaikovsky, Valery Gergiev, Wiener Philharmoniker | D Major | 2 | 10B | 86 BPM | ||
Fruhlingsstimmen (Voices Of Spring), Op. 410 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 99 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
L'Africaine (The African Maid), Act I: Overture: Act V: Entr'acte | Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang | E♭ Major | 3 | 5B | 120 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
La Périchole - operetta / Act 1: O mon cher amant, je te jure...Ah! quel dîner | Jacques Offenbach, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 107 BPM |
Section: 0.7066457271575928
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