Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon made "Nisi Dominus, RV 608: Cum dederit dilectis suis" available on September 30, 2008. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi, A.: Sacred Music, Vol. 3 by Antonio Vivaldi, Aradia Ensemble, Kevin Mallon. The song's track number on the album is #19 out of 31 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Nisi Dominus, RV 608: Cum dederit dilectis suis is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Nisi Dominus, RV 608: Cum dederit dilectis suis by Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nisi Dominus, RV 608: Cum dederit dilectis suis being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Major | 2 | 10B | 113 BPM | ||
Marceta No'm Faces Plorar, C. 1700 (Anon. Alicante) | Traditional, Hespèrion XXI, Montserrat Figueras | D♭ Major | 2 | 3B | 85 BPM | ||
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM | ||
Les Pêcheurs de Perles: A cette voix...Je crois entendre encore | Georges Bizet, Rolando Villazón, Munich Radio Orchestra, Michel Plasson, Muenchner Rundfunkorchester | A Minor | 2 | 8A | 71 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Minor | 1 | 3A | 135 BPM | ||
Schubert: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | B♭ Major | 1 | 6B | 176 BPM | ||
Primera Parte - Yo Soy La Locura, Capítulo I: La Folia, "Yo Soy La Locura" (Du Bailly) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | A Minor | 1 | 8A | 133 BPM | ||
J. Paul Getty | Daniel Pemberton | A Minor | 2 | 8A | 139 BPM | ||
Concerto Op. 3 No. 2 in G Minor for 2 violins & violoncello: I. Adagio e spiccato | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 0 | 11A | 160 BPM | ||
Rinaldo, HWV 7a: Lascia ch'io pianga | George Frideric Handel, Arion Orchestre Baroque, Daniel Taylor, Stephen Stubbs, Suzie LeBlanc | B Minor | 1 | 10A | 74 BPM |
Section: 0.5707590579986572
End: 0.5772669315338135