"Prelude, Op. 64 No. 8 in C Sharp Minor: Allegro" by César Cui, Christoph Deluze was released on January 1, 2004. The duration of Prelude, Op. 64 No. 8 in C Sharp Minor: Allegro is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Prelude, Op. 64 No. 8 in C Sharp Minor: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Cui: Piano Works by César Cui, Christoph Deluze. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Prelude, Op. 64 No. 8 in C Sharp Minor: Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude, Op. 64 No. 8 in C Sharp Minor: Allegro by César Cui, Christoph Deluze is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Mendelssohn - Lieder, S547/R217 (7 Lieder from Mendelssohn, Op, 19a, 34, 47): Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, William Howard | A♭ Major | 0 | 4B | 69 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | ||
Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
5 Petits duos, Op. 56: No. 4, Nocturne | César Cui, Lev Polyakin, Martha Aarons, Frances Renzi | F♯ Minor | 0 | 11A | 70 BPM |
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