"La bohème, SC 67 / Act I: "O soave fanciulla"" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1973. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. La bohème, SC 67 / Act I: "O soave fanciulla" is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La bohème, SC 67 / Act I: "O soave fanciulla" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 2: La commedia è stupenda!...Quando m'en vo | Giacomo Puccini, Michel Sénéchal, Gianni Maffeo, Elizabeth Harwood, Nicolai Ghiaurov, Luciano Pavarotti, Mirella Freni, Rolando Panerai, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | ||
Vivere | Cesare Andrea Bixio, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 5 | 10B | 109 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 118 BPM | ||
Ideale - Live, United States, 1974 | Francesco Paolo Tosti, Luciano Pavarotti, Eugene Kohn | A Major | 2 | 11B | 75 BPM | ||
Granada | Agustín Lara, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | E♭ Major | 4 | 5B | 98 BPM | ||
Pagliacci / Act 1: "Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | E Major | 3 | 12B | 116 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM |
Section: 0.5740442276000977
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