Francesco Geminiani, Academy of Ancient Music, Andrew Manze made "Concerto VIII in E Minor: II. Allemanda" available on 1999. The duration of Concerto VIII in E Minor: II. Allemanda is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Concerto VIII in E Minor: II. Allemanda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Academy of Ancient Music, Andrew Manze's "Geminiani: Concerti grossi (after Corelli, Op.5)" album is number 6 out of 59. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerto VIII in E Minor: II. Allemanda is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto VIII in E Minor: II. Allemanda by Francesco Geminiani, Academy of Ancient Music, Andrew Manze to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Sonata in B-flat Major, No. 2: III. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 2 | 11B | 65 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): IV. Gigue | Johann Gottlieb Goldberg, London Baroque | B Major | 3 | 1B | 139 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 89 BPM | ||
Sonata No. 4 in B Flat Major: XVIII. 18 4. Allegro | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Passacaglia in D Minor | Johann Caspar Ferdinand Fischer, Trevor Pinnock | D♭ Minor | 4 | 12A | 109 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM |
Section: 0.6502673625946045
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