Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen's 'Sonata No. 4 in B Flat Major: XVIII. 18 4. Allegro' came out on November 7, 2023. With Sonata No. 4 in B Flat Major: XVIII. 18 4. Allegro being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 26 in Francesco Geminiani: Sonates pour le violoncelle et basse continue I–VI by Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata No. 4 in B Flat Major: XVIII. 18 4. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 4 in B Flat Major: XVIII. 18 4. Allegro by Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tombeau Les Regrets | Monsieur de Sainte-Colombe, Hille Perl | F♯ Major | 0 | 2B | 80 BPM | ||
Premiere suite in D Minor: No. 3, La mignonne | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 141 BPM | ||
Allegro in D Major, A18 | Carl Friedrich Abel, André Lislevand | D Major | 3 | 10B | 112 BPM | ||
Sonata III in C Minor: III. Andante | Antoine Dard, Kristin von der Goltz, Hille Perl, Christine Schornsheim | B Major | 2 | 1B | 81 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 3, Les graces | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Sonata No. 5 in F Major: XXII. 22 3. Adagio | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Ouverture No. 6 in G Minor: III. Allegro | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Sicilienne pour violoncelle baroque et clavecin | Willem de Fesch, Anastasia Kobekina, Emmanuel Arakélian | D Minor | 2 | 7A | 182 BPM |
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