"Die Schöpfung HobXXI/2, PART 3: Nun ist die erste Pflicht erfüllt : Rezitativ (Adam)" by Barbara Bonney, Hans Peter Blochwitz, Jan-Hendrik Rootering, Sir Neville Marriner, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart was released on 1990. The duration of Die Schöpfung HobXXI/2, PART 3: Nun ist die erste Pflicht erfüllt : Rezitativ (Adam) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Die Schöpfung HobXXI/2, PART 3: Nun ist die erste Pflicht erfüllt : Rezitativ (Adam)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 12 out of 35. The popularity of Die Schöpfung HobXXI/2, PART 3: Nun ist die erste Pflicht erfüllt : Rezitativ (Adam) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 3: Nun ist die erste Pflicht erfüllt : Rezitativ (Adam) by Barbara Bonney, Hans Peter Blochwitz, Jan-Hendrik Rootering, Sir Neville Marriner, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 2, Lied der Mignon I | Franz Schubert, Barbara Bonney, Geoffrey Parsons | E Minor | 0 | 9A | 76 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Fünf Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | D Major | 0 | 10B | 95 BPM | ||
Twelve Poems of Emily Dickinson: 1. Nature, the gentlest mother | Aaron Copland, Barbara Bonney, André Previn | E♭ Major | 0 | 5B | 109 BPM | ||
Requiem fuer Mignon aus Goethes "Wilhelm Meister",Op. 98b for Soloists, Chorus and Orchestra: No. 5 "Kinder! kehrtet ins Leben zurück!" | Robert Schumann, Barbara Bonney, Brigitte Poschner, Dalia Schaechter, Margaretha Hintermeier, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper, Erwin Ortner | G Major | 0 | 9B | 75 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM |
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