"Flotow : Martha oder der Markt zu Richmond, Act 3: "Ach, so fromm, ach, so traut" (Lyonel)" by Friedrich von Flotow, Richard Tauber was released on September 7, 2009. The duration of Flotow : Martha oder der Markt zu Richmond, Act 3: "Ach, so fromm, ach, so traut" (Lyonel) is about 3 minutes long, at 3:22. Based on our data, "Flotow : Martha oder der Markt zu Richmond, Act 3: "Ach, so fromm, ach, so traut" (Lyonel)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Tauber's "Icon: Richard Tauber" album is number 4 out of 110. On top of that, Germany appears to be the country where this track was created. Flotow : Martha oder der Markt zu Richmond, Act 3: "Ach, so fromm, ach, so traut" (Lyonel) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Flotow : Martha oder der Markt zu Richmond, Act 3: "Ach, so fromm, ach, so traut" (Lyonel) by Friedrich von Flotow, Richard Tauber to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Martha, Act II: Warte nur! Das sollst du büßen! (Live) | Friedrich von Flotow, Bjorn Burger, Katharina Magiera, Frankfurter Opern- und Museumsorchester, Unknown Artist, Sebastian Weigle | D Minor | 2 | 7A | 67 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Juan Diego Flórez, Riccardo Frizza, Orchestra Sinfonica di Milano Giuseppe Verdi | F Minor | 1 | 4A | 78 BPM | ||
Cavalleria Rusticana: Gli aranci olezzano | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 74 BPM | ||
Così fan tutte, K. 588: Act I Scene 2: Terzet - Soave sia il vento (Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner | E Major | 2 | 12B | 154 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Andrew Parrott, Taverner Choir, Taverner Players | D Major | 2 | 10B | 121 BPM | ||
Ballsirenen: Walzer | Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner | G Major | 2 | 9B | 101 BPM | ||
Wagner: Lohengrin: Prelude - Act One | Richard Wagner, Bayreuth Festival Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM |
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