Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner's 'Ballsirenen: Walzer' came out on January 1, 1999. Since Ballsirenen: Walzer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Soirée by Wiener Philharmoniker, John Eliot Gardiner. The song's track number on the album is #3 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Ballsirenen: Walzer is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ballsirenen: Walzer by Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ballsirenen: Walzer being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Bürger, Op.419: Walzer | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | C Major | 1 | 8B | 98 BPM | ||
Hänsel und Gretel: Children's Prayer - Instrumental | Engelbert Humperdinck, Andre Kostelanetz, New York Philharmonic, Andre Kostelanetz & His Orchestra | D Major | 1 | 10B | 81 BPM | ||
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: 3 bars before Wieder ins Tempo zurückgehen. Tempo I | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 0 | 5B | 76 BPM | ||
Symphony No. 40 in G Minor, K. 550: 1. Molto Allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 95 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM | ||
Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM |
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