"Eight Poems, Op. 10:8 Zueignung (Dedication)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Eight Poems, Op. 10:8 Zueignung (Dedication) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Eight Poems, Op. 10:8 Zueignung (Dedication)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Eight Poems, Op. 10:8 Zueignung (Dedication) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eight Poems, Op. 10:8 Zueignung (Dedication) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Carlo / Act 4: "O don fatale" | Giuseppe Verdi, Birgit Nilsson, Orchestra of the Royal Opera House, Covent Garden, Argeo Quadri | A♭ Major | 2 | 4B | 80 BPM | ||
Elektra, Op.58, TrV 223: "Elektra!" | Richard Strauss, Marie Collier, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 1 | 3B | 77 BPM | ||
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "Mario Cavaradossi? A voi." (Carceriere, Cavaradossi) | Giacomo Puccini, Dario Caselli, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Un ballo in maschera / Act 2: "Ecco l'orrido campo" | Giuseppe Verdi, Birgit Nilsson, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Georg Solti | B Major | 1 | 1B | 84 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "Rheingold! Rheingold!" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 110 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM |
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