"Requiem in C Minor, MH 559: Dies irae: Dies irae" by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Requiem in C Minor, MH 559: Dies irae: Dies irae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Werner Ehrhardt's "Haydn, M.: Requiem in C Minor / Missa Sancti Joannis Nepomuceni / Te Deum in D Major" album is number 2 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Requiem in C Minor, MH 559: Dies irae: Dies irae is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in C Minor, MH 559: Dies irae: Dies irae by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
One Charming Night (Secrecy) | Henry Purcell, Sjaella | F♯ Minor | 0 | 11A | 85 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Sinfonia MH334, P16, G-Dur: Finale. Allegro molto | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | ||
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM |