Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel made "Seasons in Hell: Act II: Paris Spring1871" available on October 1, 1997. The duration of Seasons in Hell: Act II: Paris Spring1871 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Seasons in Hell: Act II: Paris Spring1871's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Seasons in Hell: Act II: Paris Spring1871's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Seasons in Hell: Act II: Paris Spring1871 by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puts: The Hours, Act 1: Prologue. "Flowers... Flowers" (Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Symphony No. 1 in D Minor, "The Gothic": Part 1: I Allegro assai: section 1 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 3 | 6B | 58 BPM | ||
Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" | Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker | D♭ Major | 1 | 3B | 145 BPM | ||
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
Three Japanese Lyrics: III. Tsaraiuki | Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez | D Major | 1 | 10B | 94 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 168 BPM | ||
Movement I - War Andante (Orchestra) | Paul McCartney, Carl Davis, Royal Liverpool Philharmonic Orchestra | A♭ Major | 0 | 4B | 139 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Symphony No 3 op. 36 Lento e largo - Tranquilissimo | Henryk Górecki, Baden-Baden Symphony Orchestra, Teresa Erb, Werner Stiefel | B♭ Minor | 0 | 3A | 66 BPM | ||
Symphony No. 8, Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin | E♭ Major | 2 | 5B | 133 BPM |
Section: 0.755939245223999
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