"Verdi: Otello, Act 4: "Ave Maria" (Desdemona)" by Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Das Münchner Rundfunkorchester, Munich Radio Orchestra was released on April 29, 2008. With this song being about 5 minutes long, at 4:43, "Verdi: Otello, Act 4: "Ave Maria" (Desdemona)" by Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Das Münchner Rundfunkorchester, Munich Radio Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Verdi: Otello, Act 4: "Ave Maria" (Desdemona)" is a single. The popularity of Verdi: Otello, Act 4: "Ave Maria" (Desdemona) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verdi: Otello, Act 4: "Ave Maria" (Desdemona) by Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Das Münchner Rundfunkorchester, Munich Radio Orchestra is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | E♭ Major | 1 | 5B | 93 BPM | ||
La traviata*: Act I: Prelude | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Minor | 1 | 5A | 75 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Il Trovatore, IGV 31, Act I: "Quanto narrasti di turbamento... / Di tale amor" (Ines, Leonora) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Ana Maria Feuss, Maria Callas | A♭ Major | 3 | 4B | 87 BPM | ||
La traviata / Act 1: "Follie! Delirio vano è questo!" - "Sempre libera" | Giuseppe Verdi, Kiri Te Kanawa, Alfredo Kraus, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D♭ Major | 1 | 3B | 91 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM |
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