"4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato" by Anonymous, Antonín Dvořák, Daniel Müller-Schott, Robert Kulek was released on July 1, 2016. The duration of 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato is about 3 minutes long, at 3:13. Based on our data, "4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 11 in Dvořák: The Cello Works by Antonín Dvořák, Daniel Müller-Schott, Robert Kulek, NDR Sinfonieorchester, Michael Sanderling. Based on our statistics, 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato by Anonymous, Antonín Dvořák, Daniel Müller-Schott, Robert Kulek is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Glazunov: Chant du ménestrel, Op. 71 | Alexander Glazunov, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 90 BPM | ||
Piano Trio No. 3 in C Minor, Op. 1, No. 3: II. Andante cantabile con variazioni | Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | E Minor | 1 | 9A | 74 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM |
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