To the Children, Op. 26 No. 7 - Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta Information

Acousticness: 99%
Danceability: 29%
Energy: 2%
Instrumentalness: 93%
Liveness: 9%
Loudness: 48%
Speechiness: 5%
Valence: 4%
Popularity: 3%
Loudness: -31.095 dB

Summary

"To the Children, Op. 26 No. 7" by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta was released on October 21, 2016. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 14 in Earl Wild: The Complete Transcriptions & Original Piano Works, Vol. 2 by Sergei Rachmaninoff, Earl Wild, Giovanni Doria Miglietta. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. To the Children, Op. 26 No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

To the Children, Op. 26 No. 7 BPM

The tempo marking of To the Children, Op. 26 No. 7 by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

To the Children, Op. 26 No. 7 Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	G Minor	1	6A	97 BPM
Piano Concerto in F: III. Allegro agitato	George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik	F Minor	2	4A	139 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit	Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos	D♭ Major	0	3B	91 BPM
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor	Alexander Scriabin, Maria Lettberg	G Major	3	9B	141 BPM
Partita for Violin Solo No. 3 in E Major, BWV 1006 - Arr. for Piano by Rachmaninov: I. Preludio	Johann Sebastian Bach, Daniil Trifonov	C Minor	2	5A	144 BPM
Fantasy on Gershwin’s Porgy And Bess: I Loves You, Porgy/Bess, You Is My Woman	Earl Wild, John Wilson	F♯ Major	0	2B	69 BPM
3 Preludes: II. Andante con moto e poco rubato	George Gershwin, Jon Nakamatsu	F♯ Major	0	2B	72 BPM
Where Beauty Dwells, Op. 21 No. 7 - How Fair This Spot	Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta	F♯ Minor	0	11A	131 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino	Cécile Chaminade, Eric Parkin	B Minor	0	10A	87 BPM

ISRC: GBX3U1106436
Label: L-M Records/RCA Records

Section: 0.6488027572631836

End: 0.6530697345733643