"Fantasy on Gershwin’s Porgy And Bess: I Loves You, Porgy/Bess, You Is My Woman" by Earl Wild, John Wilson was released on September 15, 2023. The duration of Fantasy on Gershwin’s Porgy And Bess: I Loves You, Porgy/Bess, You Is My Woman is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Fantasy on Gershwin’s Porgy And Bess: I Loves You, Porgy/Bess, You Is My Woman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Rachmaninoff & Gershwin transcriptions by Earl Wild". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Fantasy on Gershwin’s Porgy And Bess: I Loves You, Porgy/Bess, You Is My Woman is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasy on Gershwin’s Porgy And Bess: I Loves You, Porgy/Bess, You Is My Woman by Earl Wild, John Wilson having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Nicholas Angelich | E♭ Major | 0 | 5B | 75 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U 67 | Felix Mendelssohn, Murray Perahia | E Major | 1 | 12B | 113 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
Abegg Variations, Op.1 | Robert Schumann, Evgeny Kissin | E Major | 0 | 12B | 78 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
On the Death of a Linnet, Op. 21 No. 8 | Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta | G Major | 2 | 9B | 87 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
La Gitana | Fritz Kreisler, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 76 BPM |
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