Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 4: "D'où me vient cette horreur?" (Médée, Nérine)' came out on March 28, 1995. The duration of Charpentier : Médée, Act 4: "D'où me vient cette horreur?" (Médée, Nérine) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Charpentier : Médée, Act 4: "D'où me vient cette horreur?" (Médée, Nérine)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 49 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 4: "D'où me vient cette horreur?" (Médée, Nérine)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 4: "D'où me vient cette horreur?" (Médée, Nérine) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Concerto in F Major: I. Allegro | Giovanni Battista Sammartini, Maurice Steger, Instrumentalensemble | B Minor | 1 | 10A | 78 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Te Deum: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 2 | 1B | 106 BPM | ||
Charpentier: Celle qui fait tout mon tourment, H. 450 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 14 Les Sauvages | Jean-Philippe Rameau, Jean Rondeau | F Minor | 6 | 4A | 101 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Médée, H. 491, Act III: Air et chœur. "L'enfer m'a répondu" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Fabien Hyon, Adrien Fournaison | A♭ Major | 3 | 4B | 115 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Noëls sur les instruments, H. 531, 534: Où s'en vont ces gais bergers (H. 534/2) | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire, Freddy Eichelberger | D♭ Major | 2 | 3B | 87 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM |
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