Manuel Blancafort, Miquel Villalba's 'Cancons de muntanya (Mountain songs): VII. Canco d'enyoranca' came out on August 1, 2003. The duration of Cancons de muntanya (Mountain songs): VII. Canco d'enyoranca is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Cancons de muntanya (Mountain songs): VII. Canco d'enyoranca's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 37 in Blancafort, M.: Piano Music, Vol. 1 - Peces De Joventut / Cancons De Muntanya / Notes D'Antany by Manuel Blancafort, Miquel Villalba. In terms of popularity, Cancons de muntanya (Mountain songs): VII. Canco d'enyoranca is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cancons de muntanya (Mountain songs): VII. Canco d'enyoranca by Manuel Blancafort, Miquel Villalba is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 116 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Beethoven: Piano Sonata No. 11 in B-Flat Major, Op. 22: II. Adagio con molto espressione | Ludwig van Beethoven, Stephen Kovacevich | E♭ Major | 0 | 5B | 125 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Gnossienne: No. 2 | Erik Satie, Alexandre Tharaud | D Minor | 0 | 7A | 71 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Sonata for 2 Pianos in D Major, K. 448/375a: II. Andante | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | G Major | 0 | 9B | 110 BPM |
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