"O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble)" by Heinrich Isaac, Michael Praetorius, Stimmwerck was released on September 24, 2013. The duration of O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 24 in Die helle Sonn leuchtet: Deutsche Kirchenlieder by Stimmwerck. O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble) by Heinrich Isaac, Michael Praetorius, Stimmwerck is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Missa Wohlauff gut Gsell von hinnen: Vb. Qui venit | Heinrich Isaac, Cinquecento | A Minor | 1 | 8A | 105 BPM | ||
Apostolo glorioso / Cum tua doctrina / Andreas Christi | Guillaume Dufay, Blue Heron, Scott Metcalfe | C Major | 2 | 8B | 166 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM |
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