"Jenufa: To je manincina jizba (This is my mother's room) (Act 2)" by Leoš Janáček, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner Rundfunkorchester was released on 1988. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lucia Popp, Stefan Soltesz, Munich Radio Orchestra's "Lucia Popp sings Slavonic Opera Arias" album is number 4 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Jenufa: To je manincina jizba (This is my mother's room) (Act 2) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jenufa: To je manincina jizba (This is my mother's room) (Act 2) by Leoš Janáček, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner Rundfunkorchester to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: II. Variation 7: Andante con moto | Anton Arensky, Ying Quartet | G Major | 1 | 9B | 56 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Co pak je?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Simon O'Neill, Claire Barnett-Jones | D Major | 1 | 10B | 96 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM |
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