Gennady Rozhdestvensky, Grand Symphony Orchestra of Radio and Television's 'Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 6 Dance Of The Buffoons' Daughters' came out on November 30, 2006. The duration of Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 6 Dance Of The Buffoons' Daughters is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 6 Dance Of The Buffoons' Daughters's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Prokofiev: Tale Of The Buffoon "Chout," Autumnal Sketch, Waltz Suite". In this album, this song's track order is #6. Based on our statistics, Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 6 Dance Of The Buffoons' Daughters's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 6 Dance Of The Buffoons' Daughters by Gennady Rozhdestvensky, Grand Symphony Orchestra of Radio and Television having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Symphony No. 1: II. Allegretto | Alfred Schnittke, Gennady Rozhdestvensky, USSR Ministry Of Culture Symphony Orchestra | D Major | 4 | 10B | 117 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 149 BPM | ||
Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM |
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