Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano made "Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 1., Ardo sì, ma non t’amo" available on October 13, 2023. With Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 1., Ardo sì, ma non t’amo being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano's "Monteverdi: Madrigali, Libri primo e nono" album is number 19 out of 33. On top of that, France appears to be the country where this track was created. The popularity of Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 1., Ardo sì, ma non t’amo is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Il primo libro de' madrigali: Ardo sì, ma non t'amo: No. 1., Ardo sì, ma non t’amo by Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano to be Presto (very, very fast) because the track has a tempo of 199 BPM, a half-time of 100BPM, and a double-time of 398 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Salve Regina in F minor: 5. O clemens | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 171 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello … "Dal mio permesso amato a voi ne vegno" (La Musica) | Claudio Monteverdi, London Baroque, Charles Medlam, Theresa Caudle, Emma Kirkby | B♭ Minor | 0 | 3A | 91 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Messe in B Minor, BWV 232: No. 4, Gloria in excelsis | Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto | D♭ Major | 2 | 3B | 121 BPM | ||
Trad: Ninna nanna alla Napoletana (Napoletana) | Philippe Jaroussky | D Major | 1 | 10B | 80 BPM |
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