"Siegfried: Act I Scene 1: Ei, Mime, bist du so witzig (Siegfried)" by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. With Siegfried: Act I Scene 1: Ei, Mime, bist du so witzig (Siegfried) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #7 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Siegfried: Act I Scene 1: Ei, Mime, bist du so witzig (Siegfried) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried: Act I Scene 1: Ei, Mime, bist du so witzig (Siegfried) by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Siegfried: Act I Scene 1: Ei, Mime, bist du so witzig (Siegfried) being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Eine Alpensinfonie: IX. Ausklang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Das Rheingold / Vierte Szene: "Rheingold! Rheingold! Reines Gold!" | Richard Wagner, Hetty Plümacher, George London, Set Svanholm, Oda Balsborg, Ira Malaniuk | D♭ Major | 2 | 3B | 79 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Tristan und Isolde, WWV 90 / Act III: Mild und leise wie er lächelt | Richard Wagner, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm | E Major | 3 | 12B | 92 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM |
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