Robert Schumann, Zoltán Fejérvári made "Waldszenen, op. 82: III. Einsame Blumen" available on May 1, 2020. The duration of Waldszenen, op. 82: III. Einsame Blumen is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Waldszenen, op. 82: III. Einsame Blumen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "R. Schumann: Waldszenen, Nachtstücke & Humoreske". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Canada. Based on our statistics, Waldszenen, op. 82: III. Einsame Blumen's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Waldszenen, op. 82: III. Einsame Blumen by Robert Schumann, Zoltán Fejérvári having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Capriccio Pastorale (Arr. by Samuil Feinberg) | Girolamo Frescobaldi, Alexandra Sostmann | C Major | 0 | 8B | 118 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 13, Der Dichter spricht | Robert Schumann, Walter Gieseking | G Major | 0 | 9B | 95 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Tanguy de Williencourt, Théotime Langlois de Swarte | D Major | 0 | 10B | 90 BPM | ||
Mendelssohn: Fantasie, Op. 28: II. Allegro con moto | Felix Mendelssohn, Doomin Kim | A Major | 0 | 11B | 104 BPM | ||
Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 69 BPM | ||
Keyboard Sonata in F Major, Wq. 54/1, H. 204: II. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 1 | 7B | 140 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM | ||
Deuxieme livre, Suite en Mi: Menuet en rondeau | Jean-Philippe Rameau, Alexander Paley | C Minor | 3 | 5A | 131 BPM | ||
Demetrio (Excerpts Arr. G. Tailleferre for Piano): Vorrei dai lacci | Leonardo Leo, Nicolas Horvath | B Major | 2 | 1B | 108 BPM |
Section: 0.6335101127624512
End: 0.637209415435791