Carl Philipp Emanuel Bach, Ana-Marija Markovina made "Keyboard Sonata in F Major, Wq. 54/1, H. 204: II. Allegro" available on April 29, 2014. With Keyboard Sonata in F Major, Wq. 54/1, H. 204: II. Allegro being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 40 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 7 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Keyboard Sonata in F Major, Wq. 54/1, H. 204: II. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Keyboard Sonata in F Major, Wq. 54/1, H. 204: II. Allegro by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Stahl, W. 117/25, H. 94 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Minor | 1 | 5A | 65 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
60 Études for Piano: No. 2 in E Minor | Johann Baptist Cramer, Giorgio Farina | E Minor | 2 | 9A | 113 BPM | ||
6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 | Pyotr Ilyich Tchaikovsky, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
Piano Sonata No. 7 in C Major, K. 309: II. Andante, un poco adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 77 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
24 Preludes & Fugues, Op. 87: Fugue no.4 in E minor. Adagio (4-voice double fugue) | Dmitri Shostakovich, Alexander Melnikov | D♭ Major | 1 | 3B | 60 BPM | ||
Suite en ré: Premier Double des Niais | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
La Couperin: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 120 BPM |
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