Wolfgang Amadeus Mozart, Maria João Pires's 'Piano Sonata No. 7 in C Major, K. 309: II. Andante, un poco adagio' came out on January 1, 1991. Since Piano Sonata No. 7 in C Major, K. 309: II. Andante, un poco adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Maria João Pires's "Mozart: Piano Sonatas K.309, K.332 & K.570" album is number 2 out of 9. Piano Sonata No. 7 in C Major, K. 309: II. Andante, un poco adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 7 in C Major, K. 309: II. Andante, un poco adagio by Wolfgang Amadeus Mozart, Maria João Pires to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Sonata in D minor, K. 5 (L. 267) - Instrumental | Domenico Scarlatti, Vladimir Horowitz | F Major | 1 | 7B | 128 BPM | ||
Lieder ohne Worte, Op.62: No. 5 Andante In A Minor, MWV U 151 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | A Minor | 0 | 8A | 71 BPM | ||
Partita No. 1 in B Flat Major, BWV 825: V. Menuet I | Johann Sebastian Bach, Maria João Pires | B♭ Major | 1 | 6B | 114 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Piano Sonata No. 16 in B-Flat Major, K. 570: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | E♭ Major | 0 | 5B | 179 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
String Quartet No. 1 in G Major, K. 80: I. Adagio | Eder Quartet | G Major | 1 | 9B | 92 BPM |
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