Johann Sebastian Bach, Maria João Pires's 'Partita No. 1 in B Flat Major, BWV 825: V. Menuet I' came out on January 1, 1995. With Partita No. 1 in B Flat Major, BWV 825: V. Menuet I being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 23 in Bach, J.S.: Partita No. 1; English Suite No. 3; French Suite No. 2 by Johann Sebastian Bach, Maria João Pires. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Partita No. 1 in B Flat Major, BWV 825: V. Menuet I is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Partita No. 1 in B Flat Major, BWV 825: V. Menuet I by Johann Sebastian Bach, Maria João Pires is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: I. Introduction | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 78 BPM | ||
Suite en La: La Fanfarinette | Jean-Philippe Rameau, Alexandre Tharaud | A Major | 0 | 11B | 67 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 | Frédéric Chopin, Maria João Pires | D♭ Major | 0 | 3B | 62 BPM | ||
Two Scherzi, D. 593: No. 1 in B-Flat Major - Allegretto e Trio | Franz Schubert, Maria João Pires | A♭ Major | 0 | 4B | 85 BPM | ||
Suite en La: La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | E Major | 2 | 12B | 116 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | C Minor | 0 | 5A | 72 BPM | ||
5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir (Arr. M. Frost) | Johannes Brahms, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 105 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Leonard Bernstein, Harold Gomberg, New York Philharmonic, Isaac Stern | G Minor | 2 | 6A | 67 BPM |
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