Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Maria Chiara Gallo, Andrés Montilla, Raffaele Giordani, Gabriele Lombardi, Claudio Monteverdi, Torquato Tasso's 'Madrigals, Book III: Vivrò fra i miei tormenti: No. 1., Vivrò fra i miei tormenti e le mie cure' came out on November 3, 2023. With Madrigals, Book III: Vivrò fra i miei tormenti: No. 1., Vivrò fra i miei tormenti e le mie cure being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rinaldo Alessandrini, Concerto Italiano's "Monteverdi: Tutti I Madrigali" album is number 69 out of 215. On top of that, France appears to be the country where this track was created. Madrigals, Book III: Vivrò fra i miei tormenti: No. 1., Vivrò fra i miei tormenti e le mie cure is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigals, Book III: Vivrò fra i miei tormenti: No. 1., Vivrò fra i miei tormenti e le mie cure by Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Maria Chiara Gallo, Andrés Montilla, Raffaele Giordani, Gabriele Lombardi, Claudio Monteverdi, Torquato Tasso to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Partite sopra Fidele | Ascanio Mayone, Rinaldo Alessandrini | F♯ Minor | 2 | 11A | 141 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Toccata | Alessandro Stradella, Rinaldo Alessandrini | D♭ Minor | 4 | 12A | 130 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Volgea l'anima Mia Soavemente | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | F♯ Major | 0 | 2B | 71 BPM | ||
Madrigals, Book III: Ch'io non t'ami, cor mio? | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Telda, Andrés Montilla, Raffaele Giordani, Salvo Vitale, Claudio Monteverdi, Livio Celiano | D♭ Major | 1 | 3B | 138 BPM |
Section: 0.8724987506866455
End: 0.876706600189209