Ascanio Mayone, Rinaldo Alessandrini made "Partite sopra Fidele" available on January 1, 1994. The duration of Partite sopra Fidele is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Partite sopra Fidele's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rinaldo Alessandrini's "Musica Italiana, Vol. 1: Cembalo" album is number 6 out of 25. On top of that, France appears to be the country where this track was created. Based on our statistics, Partite sopra Fidele's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partite sopra Fidele by Ascanio Mayone, Rinaldo Alessandrini to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall) | Barbara Strozzi, Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield | D Minor | 1 | 7A | 140 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
[Suite en la majeur]: X. Fantaisie (No. 27) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 3 | 4B | 73 BPM | ||
Suite in A Minor: I. Prélude | Robert de Visée, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Suite in A Minor: VI. Rondeau La Mascarade | Robert de Visée, Jakob Lindberg | G Minor | 2 | 6A | 73 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |
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