- BPM
- 79
- Key
- E Minor
- Camelot
- 9A
No Time to Die - Arr. for Solo Cello by Christian-Pierre La Marca - Christian-Pierre La Marca Information
- Acousticness
- 97%
- Danceability
- 15%
- Energy
- 9%
- Instrumentalness
- 85%
- Liveness
- 16%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -21.976 dB
Summary
"No Time to Die - Arr. for Solo Cello by Christian-Pierre La Marca" by Christian-Pierre La Marca was released on February 2, 2024. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 9 in Cello & Cinema by Christian-Pierre La Marca. Going off of the ISRC code of this track, we detected that the origin of this track is from France. No Time to Die - Arr. for Solo Cello by Christian-Pierre La Marca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
No Time to Die - Arr. for Solo Cello by Christian-Pierre La Marca BPM
The tempo marking of No Time to Die - Arr. for Solo Cello by Christian-Pierre La Marca by Christian-Pierre La Marca is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
No Time to Die - Arr. for Solo Cello by Christian-Pierre La Marca Key
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM | |
 | Gymnopédie No. 1 (Arr. for Cello and Guitar) | Erik Satie, Jan Vogler | G Major | 2 | 9B | 95 BPM | |
 | Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | |
 | Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | |
 | Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | |
 | L'amour des trois oranges, Op. 33: Marche (Arr. for Cello and Piano) | Sergei Prokofiev, Christian-Pierre La Marca, Lise de la Salle | E♭ Major | 2 | 5B | 105 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Lied ohne Worte, Op. 109 - NIGHT SESSIONS | Felix Mendelssohn, Pablo Ferrandez, Julien Quentin | F♯ Major | 0 | 2B | 71 BPM | |
 | 24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | |
 | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM |
- ISRC
- FRZ132115010
- Label
- L-M Records/RCA Records
Section: 0.6957132816314697
End: 0.6992087364196777