Franz Schubert, Gil Shaham, Göran Söllscher made "36 Originaltänze (German Dances) for Piano, Op.9: German Dance No.4 (D 365, No.21)" available on May 5, 2020. With 36 Originaltänze (German Dances) for Piano, Op.9: German Dance No.4 (D 365, No.21) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 279 in the song's album "Schubert for the day". In this album, this song's track order is #5. Based on our statistics, 36 Originaltänze (German Dances) for Piano, Op.9: German Dance No.4 (D 365, No.21)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 36 Originaltänze (German Dances) for Piano, Op.9: German Dance No.4 (D 365, No.21) by Franz Schubert, Gil Shaham, Göran Söllscher having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Piano Quintet in A major, D. 667 "The Trout": 3. Scherzo (Presto) | Franz Schubert, Takács Quartet, Joseph Carver, Andreas Haefliger | A Major | 2 | 11B | 111 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
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