Tomás Bretón, Plácido Domingo, Raquel Pierotti, Rafael Castejon, Jesús Castejón, Alfonso Echeverria, Ramón de Andrés, Martín Grijalba, Juan Jesùs Rodriguez, Luisa Maesso, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid's 'La Verbena de la Paloma, Act I: Chanson de Julián (Julián, Rita, Hilarión, Sebastián, Tabernero, Mozos, Portero, Portera, Chœur)' came out on January 1, 1994. With this song being about 5 minutes long, at 4:32, "La Verbena de la Paloma, Act I: Chanson de Julián (Julián, Rita, Hilarión, Sebastián, Tabernero, Mozos, Portero, Portera, Chœur)" by Tomás Bretón, Plácido Domingo, Raquel Pierotti, Rafael Castejon, Jesús Castejón, Alfonso Echeverria, Ramón de Andrés, Martín Grijalba, Juan Jesùs Rodriguez, Luisa Maesso, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 3 out of 12. Based on our statistics, La Verbena de la Paloma, Act I: Chanson de Julián (Julián, Rita, Hilarión, Sebastián, Tabernero, Mozos, Portero, Portera, Chœur)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Verbena de la Paloma, Act I: Chanson de Julián (Julián, Rita, Hilarión, Sebastián, Tabernero, Mozos, Portero, Portera, Chœur) by Tomás Bretón, Plácido Domingo, Raquel Pierotti, Rafael Castejon, Jesús Castejón, Alfonso Echeverria, Ramón de Andrés, Martín Grijalba, Juan Jesùs Rodriguez, Luisa Maesso, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 84 BPM | ||
Armies of the Gods | Paul Edward-Francis | D Major | 0 | 10B | 91 BPM | ||
Las Golondrinas: "Romanza de la primavera" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Precorrete...Percorriamo le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Gino Sarri/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) | Giuseppe Verdi, Francesco Albanese, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI | C Major | 3 | 8B | 110 BPM | ||
Juanito Laguna | Raquel Pierotti, Liliana Maffiotte, Jorge Sarraute | G Minor | 1 | 6A | 76 BPM | ||
Le Comte Ory / Act 2: "Ecoutez ces chants de victoire" | Gioachino Rossini, Sumi Jo, John Aler, Raquel Pierotti, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner | C Major | 2 | 8B | 116 BPM | ||
Le Comte Ory / Act 1: "Venez amis, retirons-nous" | Gioachino Rossini, John Aler, Diana Montague, Sumi Jo, Raquel Pierotti, Gino Quilico, Gilles Cachemaille, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner | A Major | 2 | 11B | 128 BPM |
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