"Concerti a più istrumenti in F Major, Op. 6 No. 3, III. Allegro e spirito" by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi was released on October 23, 2008. The duration of Concerti a più istrumenti in F Major, Op. 6 No. 3, III. Allegro e spirito is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Concerti a più istrumenti in F Major, Op. 6 No. 3, III. Allegro e spirito's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in F Major, Op. 6 No. 3, III. Allegro e spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in F Major, Op. 6 No. 3, III. Allegro e spirito by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Overture-Suite in D Major, TWV 55:D1: V. Air 4: Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 95 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: III. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: III. Allegro poco | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Concerto for Violin & Organ in C Major, RV 774 (Reconstructed by F.M. Sardelli): II. Adagio | Antonio Vivaldi, Federico Guglielmo, Roberto Loreggian, Modo Antiquo, Federico Maria Sardelli | B Major | 2 | 1B | 127 BPM |
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