"Pavane, Op. 50 (Arr. for Cello and Orchestra)" by Gabriel Fauré, Sol Gabetta, Charles Olivieri-Munroe was released on September 4, 2008. Pavane, Op. 50 (Arr. for Cello and Orchestra) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 12 out of 14 in Cantabile by Sol Gabetta, Charles Olivieri-Munroe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pavane, Op. 50 (Arr. for Cello and Orchestra) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pavane, Op. 50 (Arr. for Cello and Orchestra) by Gabriel Fauré, Sol Gabetta, Charles Olivieri-Munroe is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Jocelyn, Suite No. 2: Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 92 BPM | ||
La Fille du Régiment, Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola) | Gaetano Donizetti, Antoine Tamestit, Cédric Tiberghien | F Minor | 0 | 4A | 76 BPM | ||
Suite Bergamasque, L. 75: III. "Clair de lune" | Claude Debussy, Kathryn Stott | D♭ Major | 0 | 3B | 66 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Kinderszenen, Op. 15: No. 7 Träumerei | Robert Schumann, Jan Lisiecki | C Minor | 1 | 5A | 75 BPM | ||
3 Nocturnes, Op. 9: No. 1 in B-Flat Minor | Frédéric Chopin, Milosz Magin | D♭ Major | 1 | 3B | 70 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM |
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