"Kinderszenen, Op. 15: No. 7 Träumerei" by Robert Schumann, Jan Lisiecki was released on January 8, 2016. The duration of Kinderszenen, Op. 15: No. 7 Träumerei is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Kinderszenen, Op. 15: No. 7 Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Schumann". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Kinderszenen, Op. 15: No. 7 Träumerei is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen, Op. 15: No. 7 Träumerei by Robert Schumann, Jan Lisiecki having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: 16 Waltzes, Op. 39: No. 5 in A-Flat Major (Version for 2 Pianos) | Johannes Brahms, Martha Argerich, Alexandre Rabinovitch | A♭ Major | 0 | 4B | 69 BPM | ||
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
Gluck / Arr Sgambati : Orfeo ed Euridice : Mélodie | Christoph Willibald Gluck, Alessio Bax | D Minor | 0 | 7A | 166 BPM | ||
Liszt: 6 Consolations, S. 172: No. 3 in D-Flat Major | Franz Liszt, François-René Duchâble | A♭ Major | 1 | 4B | 73 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Choral Prelude "Awake, The voice is Sounding" BWV.645 (Arr.Kempff) | Stanislav Bunin | E♭ Major | 1 | 5B | 121 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Concerto in A minor, Op. 16: 2. Adagio | Edvard Grieg, Jean-Yves Thibaudet, Rotterdam Philharmonic Orchestra, Valery Gergiev | F Major | 1 | 7B | 83 BPM |
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