Kurt Weill, William S. Burroughs's 'What Keeps Mankind Alive? from The Threepenny Opera' came out on 1958. The duration of What Keeps Mankind Alive? from The Threepenny Opera is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. What Keeps Mankind Alive? from The Threepenny Opera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "September Songs". In this album, this song's track order is #14. What Keeps Mankind Alive? from The Threepenny Opera is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With What Keeps Mankind Alive? from The Threepenny Opera by Kurt Weill, William S. Burroughs having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
Die Dreigroschenoper: Seeräuberjenny | Kurt Weill, René Kollo, Ute Lemper, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 78 BPM | ||
Die Dreigroschenoper: Akt II, Die Ballade vom angenehmen Leben ("Da preist man nun das Leben großer Geister") | Kurt Weill, Erich Schellow, Wilhelm Brückner-Rüggeberg | A Major | 2 | 11B | 117 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | E Minor | 0 | 9A | 74 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Je te veux (I want you) [arr. E. Blackwood] | Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 1 | 11B | 90 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM |
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