- BPM
- 66
- Key
- D♭ Major
- Camelot
- 3B
The Brothers-Cathy-Leaving Connecticut (From "East of Eden") - London Symphony Orchestra, Charles Gerhardt, Lee Holdridge Information
- Acousticness
- 65%
- Danceability
- 13%
- Energy
- 23%
- Instrumentalness
- 50%
- Liveness
- 12%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -15.546 dB
Summary
"The Brothers-Cathy-Leaving Connecticut (From "East of Eden")" by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge was released on September 6, 2016. The duration of The Brothers-Cathy-Leaving Connecticut (From "East of Eden") is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Brothers-Cathy-Leaving Connecticut (From "East of Eden")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 13 in East of Eden: Motion Picture and Television Scores of Lee Holdridge by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge. The Brothers-Cathy-Leaving Connecticut (From "East of Eden") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Brothers-Cathy-Leaving Connecticut (From "East of Eden") BPM
The tempo marking of The Brothers-Cathy-Leaving Connecticut (From "East of Eden") by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The Brothers-Cathy-Leaving Connecticut (From "East of Eden") Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | |
 | Carmina Burana: XX. Veni, veni, venias | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | G Major | 4 | 9B | 75 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | |
 | The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | F♯ Major | 4 | 2B | 156 BPM | |
 | Mission | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | |
 | Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | |
 | Appalachian Spring: VI. Meno mosso | Aaron Copland, London Symphony Orchestra | D♭ Major | 0 | 3B | 56 BPM | |
 | Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | |
 | Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.733027458190918
End: 0.737877607345581