"Lyra Angelica: III. Moderato" by William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters was released on June 1, 1992. Since Lyra Angelica: III. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Alwyn: Orchestral Works by William Alwyn, Richard Hickox, City of London Sinfonia, Nicholas Daniel, Rachel Masters, Stephen Tees. In terms of popularity, Lyra Angelica: III. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lyra Angelica: III. Moderato by William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
6 Pièces pour harpe à pédales: II. Scherzetto. Allegro moderato | Jacques Ibert, Lavinia Meijer | E Major | 1 | 12B | 60 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
3 Compositions, Op. 40: Berceuse (Version for cello and piano) | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 72 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | B Minor | 0 | 10A | 100 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
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