"Das Rheingold, WWV 86A, Scene 1: Prelude" by Richard Wagner, Hallé, Sir Mark Elder had its release date on June 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner Das Rheingold by Richard Wagner, Hallé, Sir Mark Elder. The song's track number on the album is #1 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Das Rheingold, WWV 86A, Scene 1: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86A, Scene 1: Prelude by Richard Wagner, Hallé, Sir Mark Elder has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Das Rheingold, WWV 86A, Scene 1: Prelude being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Das Rheingold, WWV 86A: Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 67 BPM | ||
Die Walküre, WWV 86B / Act III: "War es so schmählich, was ich verbrach" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 82 BPM | ||
Wagner : Das Rheingold : Prelude | Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra | E♭ Major | 0 | 5B | 70 BPM | ||
The Swan of Tuonela, Op. 22 No. 2 | Jean Sibelius, Helsinki Philharmonic Orchestra, Leif Segerstam | A Minor | 0 | 8A | 91 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune | Claude Debussy, Concertgebouworkest, Bernard Haitink | A♭ Minor | 1 | 1A | 86 BPM |