"Die Zauberflöte: Act 2 - Ach, Ich Fühl's, Es Ist Verschwunden" by Elisabeth Grümmer, Sir Georg Solti, Erika Köth was released on March 25, 2009. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #14 out of 48 tracks. Die Zauberflöte: Act 2 - Ach, Ich Fühl's, Es Ist Verschwunden is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Zauberflöte: Act 2 - Ach, Ich Fühl's, Es Ist Verschwunden by Elisabeth Grümmer, Sir Georg Solti, Erika Köth has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Zauberflöte: Act 2 - Ach, Ich Fühl's, Es Ist Verschwunden being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra | E Major | 2 | 12B | 100 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Cantata »Liebster Jesu, mein Verlangen«, BWV 32: V. Aria Duetto (Sopran & Bass): Nun verschwinden alle Plagen | Johann Sebastian Bach, Georg Christian Lehms, Paul Gerhardt, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg« | D♭ Major | 2 | 3B | 81 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Benedictus qui venit in nomine Domini | Giacomo Puccini, Thomas Hampson, Antonio Pappano, London Symphony Orchestra | B♭ Major | 1 | 6B | 74 BPM |
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