Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Mathis Der Maler, 1st Tableau, Scene 4: Raus, Schwarzröcke, aus eurem Genistel (Sylvester/Brüder/Mathis)' had a release date set for April 1, 1995. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Mathis Der Maler, 1st Tableau, Scene 4: Raus, Schwarzröcke, aus eurem Genistel (Sylvester/Brüder/Mathis)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 11 out of 61. In terms of popularity, Mathis Der Maler, 1st Tableau, Scene 4: Raus, Schwarzröcke, aus eurem Genistel (Sylvester/Brüder/Mathis) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mathis Der Maler, 1st Tableau, Scene 4: Raus, Schwarzröcke, aus eurem Genistel (Sylvester/Brüder/Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quintette: I. Assez anime | Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet | A Major | 1 | 11B | 139 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: I. Française. Allegro giocoso | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | E♭ Major | 1 | 5B | 174 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
String Quartet in G Minor, Op. 10: III. Andantino (Doucement expressif) | Claude Debussy, Quatuor Ébène | A Minor | 0 | 8A | 129 BPM |